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Why Is There a Saint With a Dog’s Head in Orthodox Christian Iconography?

A religious icon depicting Saint Christopher with a dog’s head, known as "Cynocephalus,"
Icon of Saint Christopher depicted as “Cynocephalus” from Asia Minor, 1685. Credit: Tilemahos Efthimiadis, Wikimedia Commons, CC BY-SA 2.0.

In the long and proud history of Eastern Orthodox Christian iconography, a peculiar icon of Saint Christopher can be seen, raising many questions for those who don’t know its backstory.

Saint Christopher is one of the first Christian saints. He is the revered patron saint of travelers, but what makes this figure peculiar is that he is sometimes depicted with the head of a dog.

This strange juxtaposition of a holy figure and canine appearance isn’t a modern artistic experiment or a medieval joke. It’s an obscure venerable tradition stretching back to the earliest days of Byzantine Christianity.

While Western Christians may know Christopher only as the gentle giant who carried the Christ child across a dangerous river, his rare Eastern Orthodox depiction gives us a deeper backstory of change, linguistic confusion, and ancient myths about the edges of the then-known world.

The origins of Saint Christopher’s depiction with a dog head

The earliest written evidence about the dog-headed Saint Christopher dates back to the fifth century, with actual surviving depictions appearing by the 6th-7th centuries. According to these ancient sources, Christopher wasn’t originally a normal human, but a member of the mysterious “cynocephali“—dog-headed beings that people believed existed in remote areas of the Earth beyond the boundaries of what they viewed as the civilized world.

Early accounts describe him as a fearsome creature, enormous in size, with a dog’s snout, boar-like teeth, flaming eyes, and a terrifying mane-like mass of hair. Originally named Reprobus (or “Reprebus,” meaning “the reprobate” or “scoundrel”), this creature was reportedly captured in battle by the mighty Roman forces in Cyrenaica, west of Egypt, what is now Libya. The medieval Irish Passion of St. Christopher sways it all: “This Christopher was one of the Dog-heads, a race that had the heads of dogs and ate human flesh”.

An Orthodox icon depicting Saint Christopher with the head of a dog
An Orthodox icon of Saint Christopher is depicted with a dog’s head. Credit: Wikimedia Commons, Public Domain.

What might seem to modern readers like a science-fiction story of pure fantasy reflected the genuine beliefs of the people at that time. Pliny the Elder, a Roman scientist of the first century, wrote of “dog-headed men” (Cynamolgi cynocephali) living in “Ethiopia”—a name Romans used to describe various parts of Africa west and south of Egypt. These deeply rooted beliefs lasted for centuries, with many medieval scholars and theologians accepting the existence of numerous “monstrous races” inhabiting distant lands. This might sound undeniably prejudiced to our modern ears, but it was simply perceived as a fact back then.

Therefore, Saint Christopher became a bridge between the human and the monstrous natures in Christian tradition believed to exist, a strong symbol of the universal reach the Christian faith aimed for.

Alternative theories

An alternative theory of why Saint Christopher was deputed with a dog’s head points to a Byzantine mistranslation of Latin terms.

Saint Christopher was said to be a “Cananeus” (Canaanite) from territories including modern-day Lebanon, Syria, Israel, and Palestine. At some point between the 6th and 9th centuries, scribal error or misinterpretation transformed “Cananeus” into “canineus” (canine), suggesting Christopher was dog-like. Byzantine artists took this linguistic confusion literally and began depicting the saint with a dog’s head.

A wall painting from the tomb of Sennedjem depicting Anubis, the jackal-headed god of mummification, attending to the wrapped body of the deceased on a bier,
Anubis attending to a mummy of the deceased. Credit: Wikimedia Commons, Public Domain.

Another theory connects Christopher’s dog-headed depiction with the Egyptian god Anubis, who was typically portrayed with a jackal’s head, similar to the dog-headed icons of Saint Christopher. The similarities between dog-headed Christopher icons and Anubis depictions are impressive, though many scholars dispute a direct connection in this case. More likely, both traditions drew from broader ancient Mediterranean beliefs about beings who existed combining human and animalistic elements.

What’s particularly fascinating is how the Orthodox Church’s hierarchy viewed these unusual depictions. From the 5th century onwards, it was widely believed in the Byzantine world that Saint Christopher was indeed one of the mythic dog-headed creatures. However, the Byzantine Church often frowned upon linking one of its saints with the cynocephali.

This ambivalence culminated in an outright ban in 1722 when the Russian Orthodox Church’s Holy Synod formally prohibited depicting Saint Christopher with a dog’s head. Nonetheless, tradition proved more powerful than official decrees—Old Believers (Russian Orthodox Christians who rejected 17th-century liturgical reforms) continued creating and venerating dog-headed Christopher icons well into modern times.

Today, if you visit the Byzantine Museum in Athens or certain Eastern Orthodox churches, particularly in Greece and Russia, you might still find the dog-headed Christopher icons gazing back at you from ancient icons. In post-Byzantine art, especially from the 17th century onwards, Orthodox artists occasionally depicted the saint as dog-headed, despite official disapproval.



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